I paint dogs.

Well, I don’t paint the dogs, I paint pictures of dogs.

I was six or seven when I saw an advertisement for a drawing contest in the back of the TV guide. A cartoon-like sketch of a dog was the subject aspiring artists were encouraged to copy and then mail in for evaluation. The prize-perhaps it was a monetary award and/or the promise of entry into art school or maybe a lifetime supply of bubblegum! I don’t remember, but I was excited to have successfully copied the drawing. I showed my work to my ever encouraging big brother and he said, at the very least, I would receive a certificate. So, we mailed in my drawing.

I never heard from those contest people, not even to get a funky little certificate.

In the years following, whenever I came across a similar advertisement for an art contest I ignored it. Even when the cartoon-like dog was replaced by a horse, I simply turned the page …

Fortunately the contest experience didn’t squash my desire to draw. Drawing came so easily, I thought it was something everyone could do.

I went to school and became a graphic artist. I worked with printers designing custom invitations and business cards. I loved the challenge of creating illustrations that worked best in black and white and believed that the success of a logo design comes before adding color (I still do).

I had secret admiration for painters. Secret, because I didn’t understand the depth of my feelings. When I saw someone’s work or met someone who was a painter I’d think “that’s so cool”, but I never thought of it as something I could do. Graphite was my medium and I was okay with it. I didn’t recognize my own desire to paint until one summer about 15 years ago.

I was in a hotel lobby in St. Louis, Missouri reading an article about a computer graphic artist that grew to hate his career. “The computer robbed me”, he said, and I knew exactly what he meant. He chose to go back to something he once loved, painting. He changed directions, beginning a new career of hand painting signage on business fronts throughout St. Louis.

While reading that article, I was reminded of High School and my Home Economics class where I had to create a household budget based on a made up career. My career of choice was a sign painter.

I was inspired.

When I returned from that trip, I enrolled in a beginner painting class at an art school in Oakland. After a few semesters, I was encouraged by my instructor to join a small group of women who painted together on Friday mornings. I have been painting with these women, ever since.

Friday morning painters. It has been 15 years since I joined the group. A couple of the women have painted together over 25 years, some came after me, and a few (not pictured) have moved on to other adventures. Overall, it’s a solid group of talented ladies, who support, encourage and love each other.

I also paint cats, and people. Well, I don’t paint the cats …

Ava at the Beach.

859556_4460745881452_407812683_o I was complimented when a friend said she wanted to spend a day watching me paint, and/or paint with me, see how I work….. Is there a method to my madness? I decided to follow the progress of a painting taking photos as I went along.

Often I find I overwork something then wish I could press the “undo” button and go back a step or two. That’s when my husband might question why I didn’t put my signature on it and hang it on the wall several iterations ago.

I imagine many artists 830494_4460745641446_761784991_ohave a desired “look” or “feel” they want to achieve. Some point of measure that is known only to the artist herself,  and until that point is reached, the signature may remain lost in the hairs of the brush.

This particular project went from palette to canvas with relative ease.  I don’t really know why one painting can be completed in a couple of hours, while another takes months of frustrating do-overs? I’m pleased with how I was able to capture the sun on her knee.860932_4460749841551_938766107_o

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Ava at the BeachAva at the Beach • 2013 • Edie Moore Olson